The history of Chaumet has been entwined with the History of France ever since its founding in 1780, in Paris. During the Empire and the Consulate, the Maison became the official jeweller to Empress Josephine, crafting exceptional tiaras, jewels, timepieces.

In 1907, the workshops and boutique were set up at 12 place Vendôme, which they would never leave.
The jewellery house participated in the 1925 Exposition des Arts Décoratifs in Paris, becoming a leader in this trend. Jewellery was more geometric, following the ‘boyish style’ of the 1920s, becoming more feminine during the 1930s. Colours, materials and fine gems were imperative for jewellery. From the 1920s onwards, the renown of the jewellery house spread to the world of the arts and show business. In 1934, Maison Chaumet sponsored the establishment of the young jeweller Pierre Sterlé, who was already designing its jewellery. In the same year the House closed, only to re-open at the end of the Second World War

In the wake of the post-war years, Chaumet stood out as a precursor, embodying the taste and creativity of the Parisian woman. Chaumet adapted the ‘New Look’ of the pioneers Christian Dior and Yves Saint Laurent, attracting the fashionable women of the time.
In 1958, the sons of Marcel Chaumet, Jacques and Pierre, were appointed executive directors of the House. They took over the Breguet brand in 1970. François Bodet, a Maison Chaumet executive, renewed the brand and positioned Breguet in the high-end watchmaking segment.[6]
The 1970s were marked by originality and unconventional combinations, such as pairings of diamonds, coral and peridot mounted on yellow gold.

The High Jewellery savoir-faire of the Maison has been passed down through generations of jewellers for 235 years.